Digital technologies have significantly impacted traditional financing models of creative and cultural sectors.
Under the combined effect of the abundance of cultural works, the questioning of the value chain and the growing use of readers-audience members-flâneurs-amateurs-musicians-players-visitors’ data, it must be concluded that the financing models of these sectors are more and more ‘hybridized’, mixing income sources and conditions (fee for service, renting, subscription, advertising model, crowdfunding…).
How to combine the public’s perception of the value of cultural works and the necessary financing for cultural creation and diversity? How creative and cultural sectors manage to hybridize their financing models? What evolutions to consider regarding financing models, especially the ones that could largely “spread” within the chain?
So as to offer concrete proposals, in 2015 the Forum d'Avignon leads with its partner Kurt Salmon a study and some working groups on the following topic :
‘Which economic models at the age of collaborative economy ?’
With
The imperative of moving towards business-model hybridisation
» See publication
How harmony can triumph over cacophony.
» See publication
Instantaneity, hyper-choice, innovation.
» See publication
Cultural behavior and personal data
» See publication
Generation #hashtag : a new wave of content in the age of digital natives
» See publication
After the Big data revolution comes a second centered upon Open data and sharing
» See publication
L'Atelier BNP Paribas: Big Data: Big Culture?
» See publication
Create, share and protect.
» See publication
The age of curation : From abundance to discovery
» See publication
Creators, producers, distributors Who really has overall control ?
» See publication
Update of the first report published in 2010.
» See publication
The question of ownership of personal data is at the heart of this year’s Forum d’Avignon.
» See publication
Culture, territories and Powers - The spirit of Atlas
» See publication
How does sharing data contribute to improving the way we experience our day-to-day lives in the city?
» See publication