Ernst&Young made for the Forum d’Avignon an international comparison of the intellectual property in the countries of the G20. Law enforcement, pedagogy and alliances, support for authors and protection of investments, development of innovation and technical issues are detailed.
Ernst&Young made for the Forum d’Avignon an international comparison of the intellectual property in the countries of the G20. Law enforcement, pedagogy and alliances, support for authors and protection of investments, development of innovation and technical issues are detailed.
The study was made by International Media & Entertainment Network, with the help of Ernst & Young Continental Europe Law network, the Ernst & Young Knowledge center and the members of the work group of the Forum d’Avignon. The research work is supplemented by interviews of artists, jurists, economists, politicians and company representatives.
The Forum d’Avignon interviewed 25 international artists on the theme of intellectual property
“The copyright from an economic point of view”
“Tendances and stakes of copyright”
“Intellectual proprety, a recent concept”
"Intellectual property, the Marigny theater”
“Intellectual property on the international agenda”
“Intellectual property, Law enforcement stakes”
“How is it possible to enforce copyright in the digital environment ?”
with Patricia Barbizet, James Boyle and Olivier Bomsel.
with Olivier Bomsel, Patricia Barbizet, James Boyle and Bruno Perrin.
with Patricia Barbizet, Francis Gurry, Elisabeth Niggemann and David Drummond.
with Neelie Kroes, Patricia Barbizet, Francis Gurry, David Drummond, Elisabeth Niggeman, Fedele Confalonieri and Victoria Espinel.
with Victoria Espinel, Patricia Barbizet, Neelie Kroes and Olivier Zelnik.
Questions
Artists take over their rights
Intellectual property and Growth : new approach of the copyright in UK
Germany and copyright, a new law ?
Fair use economy in the United States
The law versus the digital photographic image
Agreement between Baidu and Majors
Cultural and creative sectors in China and European Union – KEA study
65% of the US Internet users have paid to download or access to online cultural contents
Streaming vs. download, figures of the online consumption in France and in Scandinavia
Creative Commons makes its way … with collective rights’ management society
Ebook piracy costs $3 billions to the American editors
Who is the society of audiovisual authors ?
Intellectual property – Apple, a patent to prevent from filming concerts
Intellectual property – Graduated response in Great Britain, the USA and New Zealand
The future of digital culture is in copyright
A new chapter for Google and the French publishers
The British Library opens its doors to Google : two centuries of documents will be soon online
Adopt an e-book, save a manuscript !
Orbooks reinvents publishing with an innovative economic model
Update of the first report published in 2010.
» See publication
How harmony can triumph over cacophony.
» See publication
L'Atelier BNP Paribas: Big Data: Big Culture?
» See publication
The imperative of moving towards business-model hybridisation
» See publication
The age of curation : From abundance to discovery
» See publication
How does sharing data contribute to improving the way we experience our day-to-day lives in the city?
» See publication
Cultural behavior and personal data
» See publication
The question of ownership of personal data is at the heart of this year’s Forum d’Avignon.
» See publication
Culture, territories and Powers - The spirit of Atlas
» See publication
Create, share and protect.
» See publication
Creators, producers, distributors Who really has overall control ?
» See publication
Instantaneity, hyper-choice, innovation.
» See publication
After the Big data revolution comes a second centered upon Open data and sharing
» See publication
Generation #hashtag : a new wave of content in the age of digital natives
» See publication